{"id":249747,"date":"2023-04-18T13:10:41","date_gmt":"2023-04-18T05:10:41","guid":{"rendered":"https:\/\/diplomatic-fuchsia-armadillo.46-250-226-234.cpanel.site\/sagip-pelikula-screens-its-digitally-restored-classics-at-international-film-festival\/"},"modified":"2023-04-18T13:27:22","modified_gmt":"2023-04-18T05:27:22","slug":"sagip-pelikula-screens-its-digitally-restored-classics-at-international-film-festival","status":"publish","type":"post","link":"https:\/\/diplomatic-fuchsia-armadillo.46-250-226-234.cpanel.site\/?p=249747","title":{"rendered":"Sagip Pelikula Screens Its Digitally Restored Classics At International Film Festival"},"content":{"rendered":"<p>ABS-CBN Film Restoration continues to take centerstage overseas as it featured its digitally restored classics at the 29th Vesoul International Film Festival, an annual filmfest highlighting Asian cinema, which happened recently in France.<\/p>\n<p>Among the digitally restored titles screened from its Sagip Pelikula initiative are the 1976 family-drama classic \u201cNunal sa Tubig\u201d starring Elizabeth Oropesa, the period-drama film \u201cTatlong Taong Walang Diyos\u201d featuring Nora Aunor, and Star Cinema\u2019s historical-drama \u201cDekada \u201970\u201d top-billed by Vilma Santos, Christopher de Leon, and Piolo Pascual.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-209707\" src=\"https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-Nunal-sa-Tubig.jpg\" sizes=\"auto, (max-width: 263px) 100vw, 263px\" srcset=\"https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-Nunal-sa-Tubig.jpg 263w, https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-Nunal-sa-Tubig-208x300.jpg 208w, https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-Nunal-sa-Tubig-69x100.jpg 69w\" alt=\"\" width=\"263\" height=\"379\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-209708\" src=\"https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-Tatlong-Taong-Walang-Diyos.jpg\" sizes=\"auto, (max-width: 664px) 100vw, 664px\" srcset=\"https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-Tatlong-Taong-Walang-Diyos.jpg 664w, https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-Tatlong-Taong-Walang-Diyos-208x300.jpg 208w, https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-Tatlong-Taong-Walang-Diyos-69x100.jpg 69w\" alt=\"\" width=\"664\" height=\"960\" \/><\/p>\n<p>Apart from its screenings on the international big screen, ABS-CBN Film Restoration head Leo Katigbak had the opportunity to share the state of Philippine cinema and film restoration today with the international film audience as one of Vesoul\u2019s guest speakers.<\/p>\n<p>Leo also shared his delight in international attendees\u2019 interest in taking digitally restored classics to more international film festivals, following the screenings of the featured titles during the Vesoul Filmfest.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-209706\" src=\"https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-LPK-Vesoul.jpg\" sizes=\"auto, (max-width: 1400px) 100vw, 1400px\" srcset=\"https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-LPK-Vesoul.jpg 1400w, https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-LPK-Vesoul-300x200.jpg 300w, https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-LPK-Vesoul-1024x682.jpg 1024w, https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-LPK-Vesoul-768x512.jpg 768w, https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-LPK-Vesoul-100x67.jpg 100w, https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-LPK-Vesoul-696x464.jpg 696w, https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-LPK-Vesoul-1392x928.jpg 1392w, https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-LPK-Vesoul-1068x712.jpg 1068w\" alt=\"\" width=\"1400\" height=\"933\" \/><\/p>\n<p>\u201cIt\u2019s also been heartwarming to receive many inquiries for our restored films to participate in festivals. I think our restored classics are finding an audience that remembers, discovers, or rediscovers these films by virtue of the fact that even some five decades ago, we were already getting noticed in foreign festivals. I feel that the foreign attention will also benefit us here since it gives the films prominence and a higher profile,\u201d Leo added.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-209705\" src=\"https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-Leo-Katigbak-.jpg\" sizes=\"auto, (max-width: 1401px) 100vw, 1401px\" srcset=\"https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-Leo-Katigbak-.jpg 1401w, https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-Leo-Katigbak--300x200.jpg 300w, https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-Leo-Katigbak--1024x682.jpg 1024w, https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-Leo-Katigbak--768x511.jpg 768w, https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-Leo-Katigbak--100x67.jpg 100w, https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-Leo-Katigbak--696x464.jpg 696w, https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-Leo-Katigbak--1392x927.jpg 1392w, https:\/\/pageone.zyndk8.com\/wp-content\/uploads\/2023\/04\/20230418-PAGEONE-Leo-Katigbak--1068x711.jpg 1068w\" alt=\"\" width=\"1401\" height=\"933\" \/><\/p>\n<p>Despite the clamor of bringing more restored Filipino classics to global shores is much evident today, he then added that there\u2019s more work needed to be done locally in promoting the withstanding legacy of Philippine cinema through restoration efforts, and that is what Sagip Pelikula, alongside partner organizations including the FDCP, has been working on for the longest time.<\/p>\n<p>As to what to expect from ABS-CBN Film Restoration and its Sagip Pelikula initiative, Leo said they are continuing their efforts despite ABS-CBN\u2019s recent struggles as they dig deeper into their archive and restore older titles ranging from pre-World War II to the golden age of Philippine cinema during the 50s, with soon premiering the digitally restored version of the 1950 melodrama classic \u201cMutya ng Pasig\u201d this April among others.<\/p>\n<p>Today, Sagip Pelikula has restored and remastered over 200 titles since its launch, with inclusions of marquee titles such as \u201cHimala,\u201d \u201cOro, Plata, Mata,\u201d \u201cGanito Kami Noon, Paano Kayo Ngayon,\u201d \u201cKakabakaba Ka Ba?,\u201d \u201cIbong Adarna,\u201d among many others.<\/p>\n<p>For more details on its upcoming film showings, follow ABS-CBN Film Restoration on Facebook (<a href=\"http:\/\/facebook.com\/filmrestorationabscbn\">facebook.com\/filmrestorationabscbn<\/a>), Twitter (@ABS_Restoration), and Instagram (@abscbnfilmrestoration).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ABS-CBN Film Restoration highlighted some classical Filipino movies during a film festival in France. <\/p>\n","protected":false},"author":1,"featured_media":249748,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19569],"tags":[19339],"class_list":["post-249747","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-abs-cbn-corporate-communications"],"zyndk8_nxtgen_metadata":[],"_links":{"self":[{"href":"https:\/\/diplomatic-fuchsia-armadillo.46-250-226-234.cpanel.site\/index.php?rest_route=\/wp\/v2\/posts\/249747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diplomatic-fuchsia-armadillo.46-250-226-234.cpanel.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/diplomatic-fuchsia-armadillo.46-250-226-234.cpanel.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/diplomatic-fuchsia-armadillo.46-250-226-234.cpanel.site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/diplomatic-fuchsia-armadillo.46-250-226-234.cpanel.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=249747"}],"version-history":[{"count":0,"href":"https:\/\/diplomatic-fuchsia-armadillo.46-250-226-234.cpanel.site\/index.php?rest_route=\/wp\/v2\/posts\/249747\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diplomatic-fuchsia-armadillo.46-250-226-234.cpanel.site\/index.php?rest_route=\/wp\/v2\/media\/249748"}],"wp:attachment":[{"href":"https:\/\/diplomatic-fuchsia-armadillo.46-250-226-234.cpanel.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=249747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/diplomatic-fuchsia-armadillo.46-250-226-234.cpanel.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=249747"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/diplomatic-fuchsia-armadillo.46-250-226-234.cpanel.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=249747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}